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Dallas, Texas - May, 2010 |
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As many as 3,000 participants attend each event. |
2 HD Canon and 2 Sony Remote Cameras |
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2 ball rooms are used to accommodate the participants. |
are used at each hearing in each room. |
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2 complete video systems are used, one per room. |
Operation requires a minimum team of 5 per shift, per room |
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In SD mode, the cameras are switched through a Panasonic MX70 |
As many as 1500 proposed codes or code changes |
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switcher, then fed to a NewTek TriCaster Studio where graphics |
are debated over a 2 week or more period and |
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are added to the final production which is fed to 2 - 16' by 20' screens, |
sometimes each day from 8 am to midnight. |
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recorded to hard-drives and DVD discs, and web-cast. |
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In addition to 2 HD XL H1 Canon manual cameras, |
The BRC 300s are moved by this controller. |
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2 Sony BRC 300 3-Chip Remote Cameras are used |
ICC uses at least 6 presets for each camera. |
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in each room with pan, tilt and zoom features. |
Up to 7 cameras can be controlled by one unit. |
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As many as 27 microphones are used for committees, |
Encoding and monitor decoding take place |
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proponents, staff and the moderator. |
in one dedicated laptop via high speed Internet connection. |
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The NewTek TriCaster Studio is the center of the system |
In addition to the ICC program responsibilities, this | |||
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adding live graphics, playing video clips, controlling on-screen |
workhorse also provides editing capabilities, background | |||
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voting via VGA and other functions. It's last in the chain |
graphic creation, up to 6 camera switching, audio mixing, | |||
| before DA. | encoding for the Internet, and many additional features. | |||
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The above is a brief photo introduction into the ICC Hearings video system for live presentation, recording and web-casting. |
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For more information, view a video concerning the system. Select PLAY |
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